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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Hampi or Hampe (Kannada: [hɐmpe]), also referred to as the Group of Monuments at Hampi, is a UNESCO World Heritage Site located in the town of Hampi in Vijayanagara district, east-central Karnataka, India. Hampi predates the Vijayanagara Empire; it is mentioned in the Ramayana and the Puranas of Hinduism as Pampa Devi Tirtha Kshetra. Hampi continues as a religious centre, with the Virupaksha Temple, an active Adi Shankara-linked monastery and various monuments belonging to the old city. Hampi was the capital of the Vijayanagara Empire from 1336 to 1565 (as Vijayanagara), when it was abandoned. It was a fortified city. Chronicles left by Persian and European travellers, particularly the Portuguese, say that Hampi was a prosperous, wealthy and grand city near the Tungabhadra River, with numerous temples, farms and trading markets. Hampi-Vijayanagara is estimated to be the world's second-largest city by 1500, after Beijing, and probably India's richest at that time, attracting traders from Persia and Portugal. The Vijayanagara Empire was defeated by a coalition of Muslim sultanates; its capital was conquered, pillaged and destroyed by Muslim armies in 1565, after which Hampi remained in ruins. (Full article...)

    Hampi or Hampe (Kannada: [hɐmpe]), also referred to as the Group of Monuments at Hampi, is a UNESCO World Heritage Site located in the town of Hampi in Vijayanagara district, east-central Karnataka, India. Hampi predates the Vijayanagara Empire; it is mentioned in the Ramayana and the Puranas of Hinduism as Pampa Devi Tirtha Kshetra. Hampi continues as a religious centre, with the Virupaksha Temple, an active Adi Shankara-linked monastery and various monuments belonging to the old city.

    Hampi was the capital of the Vijayanagara Empire from 1336 to 1565 (as Vijayanagara), when it was abandoned. It was a fortified city. Chronicles left by Persian and European travellers, particularly the Portuguese, say that Hampi was a prosperous, wealthy and grand city near the Tungabhadra River, with numerous temples, farms and trading markets. Hampi-Vijayanagara is estimated to be the world's second-largest city by 1500, after Beijing, and probably India's richest at that time, attracting traders from Persia and Portugal. The Vijayanagara Empire was defeated by a coalition of Muslim sultanates; its capital was conquered, pillaged and destroyed by Muslim armies in 1565, after which Hampi remained in ruins. (Full article...)
  • Image 2 Radio Quarantine or Radio Quarantine Kolkata (abbreviated as RQK) is an Indian internet-based community radio and podcast. It was founded on 25 March 2020 by a group of professors, directors and PhD students in response to social isolation protocols imposed as a result of the COVID-19 pandemic. (Full article...)
    Radio Quarantine or Radio Quarantine Kolkata (abbreviated as RQK) is an Indian internet-based community radio and podcast. It was founded on 25 March 2020 by a group of professors, directors and PhD students in response to social isolation protocols imposed as a result of the COVID-19 pandemic. (Full article...)
  • Image 3 Brindavana (tomb) of Satyanatha Tirtha at Veeracholapuram Satyanatha Tirtha (also known as Satyanatha Yati) (Sanskrit:सत्यनाथा तीर्थ); IAST:Śrī Satyanātha Tīrtha) (c.1648 – c.1674), also called Abhinava Vyasaraja, was a Hindu philosopher, scholar, theologian, logician and dialectician belonging to the Dvaita order of Vedanta. He served as the twentieth pontiff of Uttaradi Math from 1660 to 1673. He was a fiery and prolific writer and very ambitious of the glory of Dvaita Vedanta. He is considered to be one of the stalwarts in the history of the Dvaita school of thought, on account of his sound elucidations of the works of Madhvacharya, Jayatirtha and Vyasatirtha. Three of his polemically themed doxographical works (Abhinavamruta, Abhinava Chandrika and Abhinava Tarkatandava) are reminiscent of "Vyasatraya" (the three eyes of the man-lion of Madhva Siddhāntha). His refutation work Abhinava Gada is a devastating criticism of Appayya's Madhvamathamukhamardhana. His independent treatise Abhinava Chandrika is considered a brilliant work relating to the Brahma Sūtras, being a commentary on Jayatirtha's Tattvaprakashika. His work Abhinava Tarka Tandava refuted the works of rival systems, especially those of Prabhākara of Mimamsa, Ramanuja's Visistadvaita, and Gangesha Upadhyaya, Raghunatha Siromani of the Nyaya school, on the same lines as Vyasatirtha's Tarka Tandava. Indologist B.N.K.Sharma wrote, "His energy and determination to crush out the rivalry of Monism is reflected even in the choice of the titles of some of his works, four of which go by the name "Paraśus" (the Axe)". Born into a family of scholars, Satyanatha Tirtha studied the six orthodox schools of Hinduism and subsequently, the philosophy of Dvaita under Satyanidhi Tirtha of Uttaradi Math, eventually succeeding him as the pontiff. B.N.K.Sharma wrote, "Satyanatha Tirtha made a bold pronouncement that women and Shudras are eligible for Aparokshajnana exclusively through shravana of Tantra". Sharma also wrote, "Satyanatha holds the memory of Vyasatirtha in warm admiration and refers him reverentially as Vyāsatīrthasrimaccaranah". He composed 12 works, consisting of commentaries on the works of Madhva, Jayatirtha and Vyasatirtha, and several independent treatises criticizing the tenets of contemporary schools, especially Advaita, while simultaneously elaborating upon the Dvaita thought. His dialectical skill and logical acumen is often compared with that of Vyasatirtha. (Full article...)

    Brindavana (tomb) of Satyanatha Tirtha at Veeracholapuram

    Satyanatha Tirtha (also known as Satyanatha Yati) (Sanskrit:सत्यनाथा तीर्थ); IAST:Śrī Satyanātha Tīrtha) (c.1648 – c.1674), also called Abhinava Vyasaraja, was a Hindu philosopher, scholar, theologian, logician and dialectician belonging to the Dvaita order of Vedanta. He served as the twentieth pontiff of Uttaradi Math from 1660 to 1673. He was a fiery and prolific writer and very ambitious of the glory of Dvaita Vedanta. He is considered to be one of the stalwarts in the history of the Dvaita school of thought, on account of his sound elucidations of the works of Madhvacharya, Jayatirtha and Vyasatirtha. Three of his polemically themed doxographical works (Abhinavamruta, Abhinava Chandrika and Abhinava Tarkatandava) are reminiscent of "Vyasatraya" (the three eyes of the man-lion of Madhva Siddhāntha). His refutation work Abhinava Gada is a devastating criticism of Appayya's Madhvamathamukhamardhana. His independent treatise Abhinava Chandrika is considered a brilliant work relating to the Brahma Sūtras, being a commentary on Jayatirtha's Tattvaprakashika. His work Abhinava Tarka Tandava refuted the works of rival systems, especially those of Prabhākara of Mimamsa, Ramanuja's Visistadvaita, and Gangesha Upadhyaya, Raghunatha Siromani of the Nyaya school, on the same lines as Vyasatirtha's Tarka Tandava. Indologist B.N.K.Sharma wrote, "His energy and determination to crush out the rivalry of Monism is reflected even in the choice of the titles of some of his works, four of which go by the name "Paraśus" (the Axe)".

    Born into a family of scholars, Satyanatha Tirtha studied the six orthodox schools of Hinduism and subsequently, the philosophy of Dvaita under Satyanidhi Tirtha of Uttaradi Math, eventually succeeding him as the pontiff. B.N.K.Sharma wrote, "Satyanatha Tirtha made a bold pronouncement that women and Shudras are eligible for Aparokshajnana exclusively through shravana of Tantra". Sharma also wrote, "Satyanatha holds the memory of Vyasatirtha in warm admiration and refers him reverentially as Vyāsatīrthasrimaccaranah". He composed 12 works, consisting of commentaries on the works of Madhva, Jayatirtha and Vyasatirtha, and several independent treatises criticizing the tenets of contemporary schools, especially Advaita, while simultaneously elaborating upon the Dvaita thought. His dialectical skill and logical acumen is often compared with that of Vyasatirtha. (Full article...)
  • Image 4 InterGlobe Aviation Limited (d/b/a IndiGo), is an Indian low-cost airline headquartered in Gurgaon, Haryana, India. It is the largest airline in India by passengers carried and fleet size, with a 63.6% domestic market share as of November 2024. It is the second largest Asian airline,[citation needed] and one of the largest in the world in terms of passengers carried, with more than 100 million passengers carried in 2023. As of April 2025[update], IndiGo operates over 2,200 daily flights to 128 destinations – 91 domestic and 37 international. It operates cargo services under its subsidiary, IndiGo CarGo. Its primary hub is at the Indira Gandhi International Airport, Delhi. The airline was established as a private company by Rahul Bhatia of InterGlobe Enterprises—an Indian multinational conglomerate based in Gurugram— and Rakesh Gangwal in 2005. It took delivery of its maiden aircraft in July 2006 and commenced operations a month later, on 4 August 2006. The airline became the largest Indian carrier by passenger market share in December 2012. The company went public in October 2015. IndiGo was ranked the 15th most punctual airline globally in 2022 by OAG. It is also the 6th busiest airline in the world, as per data from RadarBox. (Full article...)

    InterGlobe Aviation Limited (d/b/a IndiGo), is an Indian low-cost airline headquartered in Gurgaon, Haryana, India. It is the largest airline in India by passengers carried and fleet size, with a 63.6% domestic market share as of November 2024. It is the second largest Asian airline,[citation needed] and one of the largest in the world in terms of passengers carried, with more than 100 million passengers carried in 2023. As of April 2025, IndiGo operates over 2,200 daily flights to 128 destinations – 91 domestic and 37 international. It operates cargo services under its subsidiary, IndiGo CarGo. Its primary hub is at the Indira Gandhi International Airport, Delhi.

    The airline was established as a private company by Rahul Bhatia of InterGlobe Enterprises—an Indian multinational conglomerate based in Gurugram— and Rakesh Gangwal in 2005. It took delivery of its maiden aircraft in July 2006 and commenced operations a month later, on 4 August 2006. The airline became the largest Indian carrier by passenger market share in December 2012. The company went public in October 2015. IndiGo was ranked the 15th most punctual airline globally in 2022 by OAG. It is also the 6th busiest airline in the world, as per data from RadarBox. (Full article...)
  • Image 5 Major Rama Raghoba Rane, PVC (26 June 1918 – 11 July 1994) was an Indian military officer. He was the first living recipient of India's highest military decoration, the Param Vir Chakra, which he was awarded along with Karam Singh. Born in 1918, Rane served in the British Indian Army during the Second World War. He remained in the military during the post-war period and was commissioned in the Bombay Sappers Regiment of the Indian Army's Corps of Engineers on 15 December 1947. In April 1948, during the Indo-Pakistani War of 1947, Rane played a key role in the capture of Rajauri by Indian forces by being instrumental in clearing several roadblocks and minefields. His actions helped clear the way for advancing Indian tanks. He was awarded the Param Vir Chakra on 8 April 1948 for his gallantry. He retired as a major from the Indian Army in 1968. During his 28 years' service with the army, he was mentioned in despatches five times. He died in 1994 at the age of 76. (Full article...)
    Major Rama Raghoba Rane, PVC (26 June 1918 – 11 July 1994) was an Indian military officer. He was the first living recipient of India's highest military decoration, the Param Vir Chakra, which he was awarded along with Karam Singh.

    Born in 1918, Rane served in the British Indian Army during the Second World War. He remained in the military during the post-war period and was commissioned in the Bombay Sappers Regiment of the Indian Army's Corps of Engineers on 15 December 1947. In April 1948, during the Indo-Pakistani War of 1947, Rane played a key role in the capture of Rajauri by Indian forces by being instrumental in clearing several roadblocks and minefields. His actions helped clear the way for advancing Indian tanks. He was awarded the Param Vir Chakra on 8 April 1948 for his gallantry. He retired as a major from the Indian Army in 1968. During his 28 years' service with the army, he was mentioned in despatches five times. He died in 1994 at the age of 76. (Full article...)
  • Image 6 Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest. Made on a budget of ₹18 lakh, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
    Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest.

    Made on a budget of ₹18 lakh, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
  • Image 7 Location of Gujarat state in India The 1985 Gujarat riots began in February 1985 and lasted till August, in the Indian state of Gujarat. Most of the rioting occurred in the city of Ahmedabad; some other cities, including the state capital of Gandhinagar, were also affected. Between 220 and 275 people were killed in the violence, while several thousands of others were injured, and tens of thousands were displaced. The riots also caused widespread property damage. In January 1985 the Gujarat government of Chief Minister Madhav Singh Solanki announced a change in its policy of reservation that increased the benefits to people from "backward" classes. Resentment over this policy among upper castes led to an agitation against it that began in February 1985. The agitation initially took the form of boycotts and protest marches, but quickly turned violent. Government property and buses were targeted by largely upper caste protesters. Beginning in March, communal violence also began to occur, as the city's Muslim minority were targeted. The state police frequently condoned, and in some cases participated in, the violence. The Indian Army was called in to patrol the city, and curfews were frequently declared. The violence died down in August 1986, after Solanki had resigned, and an agreement had been reached with the agitators. Ahmedabad's Muslims were the main victims; approximately 100 were killed, several hundreds badly injured, 2,500 of their houses destroyed, and 12,000 made homeless. (Full article...)

    Location of Gujarat state in India

    The 1985 Gujarat riots began in February 1985 and lasted till August, in the Indian state of Gujarat. Most of the rioting occurred in the city of Ahmedabad; some other cities, including the state capital of Gandhinagar, were also affected. Between 220 and 275 people were killed in the violence, while several thousands of others were injured, and tens of thousands were displaced. The riots also caused widespread property damage.

    In January 1985 the Gujarat government of Chief Minister Madhav Singh Solanki announced a change in its policy of
    reservation that increased the benefits to people from "backward" classes. Resentment over this policy among upper castes led to an agitation against it that began in February 1985. The agitation initially took the form of boycotts and protest marches, but quickly turned violent. Government property and buses were targeted by largely upper caste protesters. Beginning in March, communal violence also began to occur, as the city's Muslim minority were targeted. The state police frequently condoned, and in some cases participated in, the violence. The Indian Army was called in to patrol the city, and curfews were frequently declared. The violence died down in August 1986, after Solanki had resigned, and an agreement had been reached with the agitators. Ahmedabad's Muslims were the main victims; approximately 100 were killed, several hundreds badly injured, 2,500 of their houses destroyed, and 12,000 made homeless. (Full article...)
  • Image 8 Bhikshatana, Annamalaiyar Temple, Thiruvannamalai Bhikshatana (Sanskrit: भिक्षाटन; Bhikṣāṭana; literally, "wandering about for alms, mendicancy") or Bhikshatana-murti (Bhikṣāṭanamūrti) is an aspect of the Hindu god Shiva as the "Supreme mendicant" or the "Supreme Beggar". Bhikshtana is depicted as a nude four-armed man adorned with ornaments who holds a begging bowl in his hand and is followed by demonic attendants and love-sick women. Bhikshatana is considered a gentler form of Shiva's fierce aspect Bhairava and a gentle phase between Bhairava's two gruesome forms, one of which decapitates one head of the four headed god Brahma and the other of which kills the god Vishnu's gatekeeper. Bhikshatana is the form of Bhairava that Shiva assumes to atone for his sin of severing Brahma's fifth head. He wanders the universe in the form of a naked Kapali mendicant, begging for alms with Brahma's kapala (skullcup) as his begging bowl, until his sin is expiated upon reaching the holy city of Varanasi. (Full article...)

    Bhikshatana, Annamalaiyar Temple, Thiruvannamalai

    Bhikshatana (Sanskrit: भिक्षाटन; Bhikṣāṭana; literally, "wandering about for alms, mendicancy") or Bhikshatana-murti (Bhikṣāṭanamūrti) is an aspect of the Hindu god Shiva as the "Supreme mendicant" or the "Supreme Beggar". Bhikshtana is depicted as a nude four-armed man adorned with ornaments who holds a begging bowl in his hand and is followed by demonic attendants and love-sick women.

    Bhikshatana is considered a gentler form of Shiva's fierce aspect Bhairava and a gentle phase between Bhairava's two gruesome forms, one of which decapitates one head of the four headed god Brahma and the other of which kills the god Vishnu's gatekeeper. Bhikshatana is the form of Bhairava that Shiva assumes to atone for his sin of severing Brahma's fifth head. He wanders the universe in the form of a naked Kapali mendicant, begging for alms with Brahma's kapala (skullcup) as his begging bowl, until his sin is expiated upon reaching the holy city of Varanasi. (Full article...)
  • Image 9 Happy Bhag Jayegi (transl. Happy will run away) is a 2016 Indian Hindi-language romantic comedy film, written and directed by Mudassar Aziz, and produced by Aanand L. Rai and Krishika Lulla. It stars Diana Penty as the eponymous character; a free-spirited bride-to-be from Amritsar who runs away from her wedding ceremony and inadvertently arrives in Lahore, Pakistan. The production features an ensemble cast consisting of Penty, Abhay Deol, Jimmy Sheirgill, Ali Fazal, and Momal Sheikh. Aziz began writing for the film in 2012 and later approached Rai to produce it. Happy Bhag Jayegi was conceived as a "cross-border" romantic comedy and was originally titled Dolly Lahore Mein. Although a large part of the film is set in Lahore, the film was primarily shot in Chandigarh and Amritsar with Saurabh Goswami working as the director of photography. The film featured Pakistani actors Javed Sheikh and his daughter Momal Sheikh. The film is Momal Sheikh's Bollywood debut. The music for Happy Bhag Jayegi was composed by Sohail Sen and released under the label of Eros Music. Eros International acquired the worldwide distribution rights for the production, which runs for 126 minutes in its final cut. (Full article...)
    Happy Bhag Jayegi (transl. Happy will run away) is a 2016 Indian Hindi-language romantic comedy film, written and directed by Mudassar Aziz, and produced by Aanand L. Rai and Krishika Lulla. It stars Diana Penty as the eponymous character; a free-spirited bride-to-be from Amritsar who runs away from her wedding ceremony and inadvertently arrives in Lahore, Pakistan. The production features an ensemble cast consisting of Penty, Abhay Deol, Jimmy Sheirgill, Ali Fazal, and Momal Sheikh.

    Aziz began writing for the film in 2012 and later approached Rai to produce it. Happy Bhag Jayegi was conceived as a "cross-border" romantic comedy and was originally titled Dolly Lahore Mein. Although a large part of the film is set in Lahore, the film was primarily shot in Chandigarh and Amritsar with Saurabh Goswami working as the director of photography. The film featured Pakistani actors Javed Sheikh and his daughter Momal Sheikh. The film is Momal Sheikh's Bollywood debut. The music for Happy Bhag Jayegi was composed by Sohail Sen and released under the label of Eros Music. Eros International acquired the worldwide distribution rights for the production, which runs for 126 minutes in its final cut. (Full article...)
  • Image 10 Andhadhun (pronounced [əndʱaːdʱʊn] transl. Indiscriminate, blind, reckless, or without thinking) is a 2018 Indian Hindi-language black comedy crime thriller film co-written and directed by Sriram Raghavan. It stars Tabu, Ayushmann Khurrana, Radhika Apte and Anil Dhawan. The film tells the story of a blind piano player who unwittingly becomes embroiled in the murder of a retired actor. The script of Andhadhun was written by Raghavan, Arijit Biswas, Pooja Ladha Surti, Yogesh Chandekar and Hemanth M. Rao. The film was edited by Surti, and K. U. Mohanan was its director of photography. Amit Trivedi composed songs for the film and Jaideep Sahni wrote the lyrics; Raftaar and Girish Nakod co-wrote the title song as guest composers, while Daniel B. George composed the background score. The film was shot in Pune in 44 days spread over more than a year; principal photography began in June 2017 and ended on 17 July 2018. (Full article...)
    Andhadhun (pronounced [əndʱaːdʱʊn] transl. Indiscriminate, blind, reckless, or without thinking) is a 2018 Indian Hindi-language black comedy crime thriller film co-written and directed by Sriram Raghavan. It stars Tabu, Ayushmann Khurrana, Radhika Apte and Anil Dhawan. The film tells the story of a blind piano player who unwittingly becomes embroiled in the murder of a retired actor.

    The script of Andhadhun was written by Raghavan, Arijit Biswas, Pooja Ladha Surti, Yogesh Chandekar and Hemanth M. Rao. The film was edited by Surti, and K. U. Mohanan was its director of photography. Amit Trivedi composed songs for the film and Jaideep Sahni wrote the lyrics; Raftaar and Girish Nakod co-wrote the title song as guest composers, while Daniel B. George composed the background score. The film was shot in Pune in 44 days spread over more than a year; principal photography began in June 2017 and ended on 17 July 2018. (Full article...)
  • Image 11 Mehta in 1996 Congress Radio, also known as Azad Radio, was an underground radio station that operated for about three months during the Quit India Movement of 1942, a movement launched by Mahatma Gandhi against the British Raj for independence of India. Congress Radio was the broadcasting mouthpiece of the Indian National Congress and functioned from different locations in Bombay, present-day Mumbai, and briefly from Nashik. It was organized by Usha Mehta (1920–2000), then a 22-year student activist, with the help of amateur radio operators. Others who were involved included Vithalbhai Jhaveri, Vitthaldas Khakar, Chandrakant Jhaveri, and Babubhai Thakkar. The broadcasting equipment was supplied by Nanik Motwane of Chicago Radio, Bombay. Prominent leaders of the Indian independence movement like Ram Manohar Lohia, Achyutrao Patwardhan, and Purushottam Trikamdas were also associated with Congress Radio. The radio station broadcast from 27 August through 12 November 1942 before being shut down by the authorities, with the operators being arrested. (Full article...)
    Photograph of Mehta in 1996
    Mehta in 1996

    Congress Radio, also known as Azad Radio, was an underground radio station that operated for about three months during the Quit India Movement of 1942, a movement launched by Mahatma Gandhi against the British Raj for independence of India. Congress Radio was the broadcasting mouthpiece of the Indian National Congress and functioned from different locations in Bombay, present-day Mumbai, and briefly from Nashik. It was organized by Usha Mehta (1920–2000), then a 22-year student activist, with the help of amateur radio operators. Others who were involved included Vithalbhai Jhaveri, Vitthaldas Khakar, Chandrakant Jhaveri, and Babubhai Thakkar. The broadcasting equipment was supplied by Nanik Motwane of Chicago Radio, Bombay. Prominent leaders of the Indian independence movement like Ram Manohar Lohia, Achyutrao Patwardhan, and Purushottam Trikamdas were also associated with Congress Radio.

    The radio station broadcast from 27 August through 12 November 1942 before being shut down by the authorities, with the operators being arrested. (Full article...)
  • Image 12 Satellite image of the storm prior to landfall in India on 6 November The 1996 Andhra Pradesh cyclone (also known as Cyclone 07B) was a small but powerful storm that left heavy damage in the Indian state of Andhra Pradesh. It formed on 4 November in the eastern Bay of Bengal. Moving westward, it quickly organized and developed a well-defined eye. On 6 November, the cyclone struck about 50 km (31 mi) south of Kakinada, Andhra Pradesh at peak intensity. The India Meteorological Department estimated peak winds of 145 km/h (90 mph), while the American-based Joint Typhoon Warning Center (JTWC) assessed peak winds of 215 km/h (135 mph). Soon after landfall, the cyclone weakened and dissipated by 7 November. Ahead of the storm, about 225,000 families evacuated, although many towns lacked proper storm shelters. When the cyclone made landfall, it produced strong winds up to 100 km (62 mi) inland, dropped 210 mm (8.3 in) of rainfall across a 40 km (25 mi) region, and flooded over 250 villages along a 60 km (37 mi) portion of the coast. About 70% of the overall damage was in East Godavari district, where two villages were entirely destroyed. The storm destroyed 241,802 ha (597,510 acres) of crops and killed millions of cattle and chicken. Across Andhra Pradesh, the storm damaged 647,554 houses, including over 10,000 that were destroyed. Overall damage totaled ₹21.5 billion (equivalent to ₹120 billion or US$1.4 billion in 2023), comparable to a cyclone in 1977 that also hit Andhra Pradesh. There were 1,077 confirmed deaths with many others missing, although many of the dead were washed into the sea and were unlikely to be found. After the storm, the government and local Red Cross chapters helped residents recover from the damage, while the World Bank provided money to better prepare Andhra Pradesh for future storms. (Full article...)

    Satellite image of the storm prior to landfall in India on 6 November

    The 1996 Andhra Pradesh cyclone (also known as Cyclone 07B) was a small but powerful storm that left heavy damage in the Indian state of Andhra Pradesh. It formed on 4 November in the eastern Bay of Bengal. Moving westward, it quickly organized and developed a well-defined eye. On 6 November, the cyclone struck about 50 km (31 mi) south of Kakinada, Andhra Pradesh at peak intensity. The India Meteorological Department estimated peak winds of 145 km/h (90 mph), while the American-based Joint Typhoon Warning Center (JTWC) assessed peak winds of 215 km/h (135 mph). Soon after landfall, the cyclone weakened and dissipated by 7 November.

    Ahead of the storm, about 225,000 families evacuated, although many towns lacked proper storm shelters. When the cyclone made landfall, it produced strong winds up to 100 km (62 mi) inland, dropped 210 mm (8.3 in) of rainfall across a 40 km (25 mi) region, and flooded over 250 villages along a 60 km (37 mi) portion of the coast. About 70% of the overall damage was in East Godavari district, where two villages were entirely destroyed. The storm destroyed 241,802 ha (597,510 acres) of crops and killed millions of cattle and chicken. Across Andhra Pradesh, the storm damaged 647,554 houses, including over 10,000 that were destroyed. Overall damage totaled ₹21.5 billion (equivalent to ₹120 billion or US$1.4 billion in 2023), comparable to a cyclone in 1977 that also hit Andhra Pradesh. There were 1,077 confirmed deaths with many others missing, although many of the dead were washed into the sea and were unlikely to be found. After the storm, the government and local Red Cross chapters helped residents recover from the damage, while the World Bank provided money to better prepare Andhra Pradesh for future storms. (Full article...)
  • Image 13 The Bhikshuka Upanishad describes Hindu mendicants who seek spiritual liberation through the practise of yoga The Bhikshuka Upanishad (Sanskrit: भिक्षुक उपनिषत्, IAST: Bhikṣuka Upaniṣad), also known as Bhikshukopanishad, is one of the minor Upanishads of Hinduism and is written in Sanskrit. The Upanishad describes four kinds of sannyasins (Hindu monks), their eating habits and lifestyle. Yoga is the path of spiritual liberation for all four. Of these, the Paramahamsa monks are discussed in this text at greater length, and described as loners who are patient with everyone, free from dualism in their thoughts, and who meditate on their soul and the Brahman. (Full article...)

    The Bhikshuka Upanishad describes Hindu mendicants who seek spiritual liberation through the practise of yoga

    The Bhikshuka Upanishad (Sanskrit: भिक्षुक उपनिषत्, IAST: Bhikṣuka Upaniṣad), also known as Bhikshukopanishad, is one of the minor Upanishads of Hinduism and is written in Sanskrit.

    The Upanishad describes four kinds of sannyasins (Hindu monks), their eating habits and lifestyle. Yoga is the path of spiritual liberation for all four. Of these, the Paramahamsa monks are discussed in this text at greater length, and described as loners who are patient with everyone, free from dualism in their thoughts, and who meditate on their soul and the Brahman. (Full article...)
  • Image 14 Ramu is a 1966 Indian Tamil-language drama film directed by A. C. Tirulokchandar and written by Javar N. Seetharaman. The film stars Gemini Ganesh and K. R. Vijaya, with Ashokan, Nagesh, V. K. Ramasamy, O. A. K. Thevar and Master Rajkumar—as the title character—in supporting roles. A remake of the Hindi film Door Gagan Ki Chhaon Mein (1964), it revolves around a boy who loses his speech after witnessing his mother's death, and his father attempts to restore his son's speech. Ramu was produced by Uma Productions, a subsidiary of AVM Productions, and predominantly shot in the village of Kaduvetti, Tamil Nadu. It was released on 10 June 1966 and became a commercial success, winning the National Film Award for Best Feature Film in Tamil and received positive reviews. The film was remade in Telugu with the same title in 1968 by the same studio and director, with Rajkumar reprising his role. (Full article...)
    Ramu is a 1966 Indian Tamil-language drama film directed by A. C. Tirulokchandar and written by Javar N. Seetharaman. The film stars Gemini Ganesh and K. R. Vijaya, with Ashokan, Nagesh, V. K. Ramasamy, O. A. K. Thevar and Master Rajkumar—as the title character—in supporting roles. A remake of the Hindi film Door Gagan Ki Chhaon Mein (1964), it revolves around a boy who loses his speech after witnessing his mother's death, and his father attempts to restore his son's speech.

    Ramu was produced by Uma Productions, a subsidiary of AVM Productions, and predominantly shot in the village of Kaduvetti, Tamil Nadu. It was released on 10 June 1966 and became a commercial success, winning the National Film Award for Best Feature Film in Tamil and received positive reviews. The film was remade in Telugu with the same title in 1968 by the same studio and director, with Rajkumar reprising his role. (Full article...)
  • Image 15 States and union territories in South India South India, also known as Southern India or Peninsular India, is the southern part of the Deccan Peninsula in India encompassing the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana as well as the union territories of Lakshadweep and Puducherry, occupying 19.31% of India's area (635,780 km2 or 245,480 sq mi) and 20% of India's population. It is bound by the Bay of Bengal in the east, the Arabian Sea in the west and the Indian Ocean in the south. The geography of the region is diverse, with two mountain ranges, the Western and Eastern Ghats, bordering the plateau heartland. The Godavari, Krishna, Kaveri, Penna, Tungabhadra and Vaigai rivers are important non-perennial sources of water. Chennai, Bengaluru, Hyderabad, Coimbatore and Kochi are the largest urban areas in the region. The majority of the people in South India speak at least one of the four major Dravidian languages: Telugu, Tamil, Kannada and Malayalam. During its history, a number of dynastic kingdoms ruled over parts of South India, and shaped the culture in those regions. Major dynasties that were established in South India include the Cheras, Cholas, Pandyas, Pallavas, Satavahanas, Chalukyas, Hoysalas, Rashtrakutas and Vijayanagara. European countries entered India through Kerala and the region was colonized by Britain, Portugal and France. (Full article...)

    States and union territories in South India

    South India, also known as Southern India or Peninsular India, is the southern part of the Deccan Peninsula in India encompassing the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana as well as the union territories of Lakshadweep and Puducherry, occupying 19.31% of India's area (635,780 km2 or 245,480 sq mi) and 20% of India's population. It is bound by the Bay of Bengal in the east, the Arabian Sea in the west and the Indian Ocean in the south. The geography of the region is diverse, with two mountain ranges, the Western and Eastern Ghats, bordering the plateau heartland. The Godavari, Krishna, Kaveri, Penna, Tungabhadra and Vaigai rivers are important non-perennial sources of water. Chennai, Bengaluru, Hyderabad, Coimbatore and Kochi are the largest urban areas in the region.

    The majority of the people in South India speak at least one of the four major Dravidian languages: Telugu, Tamil, Kannada and Malayalam. During its history, a number of dynastic kingdoms ruled over parts of South India, and shaped the culture in those regions. Major dynasties that were established in South India include the Cheras, Cholas, Pandyas, Pallavas, Satavahanas, Chalukyas, Hoysalas, Rashtrakutas and Vijayanagara. European countries entered India through Kerala and the region was colonized by Britain, Portugal and France. (Full article...)
  • Image 16 INS Shakti INS Shakti INS Shakti (A57) (lit. Strength) is a Deepak-class fleet tanker in service with the Indian Navy. She was built by Fincantieri, an Italian shipbuilding company based in Trieste. She is the second and final ship of her class. Shakti, along with her predecessor Deepak, is one of the largest ships of the Indian Navy. The construction of the vessel began in November 2009 and she was launched in October 2010. She was handed over to India by September 2011 and was commissioned on 1 October 2011. The construction of the vessel was completed in a record time of 27 months, after the contract worth €159.32 million was signed in April 2008. (Full article...)

    INS Shakti
    INS Shakti
    INS Shakti

    INS Shakti (A57) (lit. Strength) is a Deepak-class fleet tanker in service with the Indian Navy. She was built by Fincantieri, an Italian shipbuilding company based in Trieste. She is the second and final ship of her class. Shakti, along with her predecessor Deepak, is one of the largest ships of the Indian Navy.

    The construction of the vessel began in November 2009 and she was launched in October 2010. She was handed over to India by September 2011 and was commissioned on 1 October 2011. The construction of the vessel was completed in a record time of 27 months, after the contract worth €159.32 million was signed in April 2008. (Full article...)
  • Image 17 The balcony of Rajasthan Royals during the match. The British Asian Cup was a day/night Twenty20 cricket charity match played between the 2008 Indian Premier League (IPL) champion Rajasthan Royals and the 2008 Twenty20 Cup champion Middlesex Panthers played at the Lord's Cricket Ground, London, England. A portion of the earnings of the match went to the British Asian Trust. It ended as the Royals defeated the Panthers by 46 runs. Shaun Udal and Shane Warne were the captains for the Panthers and the Royals respectively. The Royals played a warm-up game with the Middlesex Second XI before the match, and won it by 28 runs. The match attracted a crowd of 20,000 people, but was delayed due to rain. (Full article...)
    The balcony of Rajasthan Royals during the match.

    The British Asian Cup was a day/night Twenty20 cricket charity match played between the 2008 Indian Premier League (IPL) champion Rajasthan Royals and the 2008 Twenty20 Cup champion Middlesex Panthers played at the Lord's Cricket Ground, London, England. A portion of the earnings of the match went to the British Asian Trust. It ended as the Royals defeated the Panthers by 46 runs.

    Shaun Udal and Shane Warne were the captains for the Panthers and the Royals respectively. The Royals played a warm-up game with the Middlesex Second XI before the match, and won it by 28 runs. The match attracted a crowd of 20,000 people, but was delayed due to rain. (Full article...)
  • Image 18 Khandoba with his two chief wives: Mhalsa and Banai Banai (Marathi: बाणाई Bāṇāi, sometimes बानाई), also known as Banu (Bāṇu, बानू) and Banu-bai (Bāṇu-bāī, बानू-बाई), is a Hindu goddess and the second wife of Khandoba, a form of the god Shiva worshipped in the Deccan – predominantly in the Indian states of Maharashtra and Karnataka. Khandoba is portrayed as a king of Jejuri, where his chief temple stands. Some traditions do not give her the status of a legal wife and treat her as a concubine of Khandoba. While scriptures related to Khandoba do not mention Banai, she is a central subject of folk songs. Banai is considered a Dhangar, a sheep herding caste, and is sometimes regarded to be of celestial origin. Oral traditions chiefly discuss the tale of her marriage to Khandoba and her conflicts with his first wife Mhalsa. Banai is an antithesis of Mhalsa; together they complete the god. Banai is generally depicted with Khandoba and often is also accompanied by Mhalsa. (Full article...)
    Khandoba with his two chief wives: Mhalsa and Banai


    Banai (Marathi: बाणाई Bāṇāi, sometimes बानाई), also known as Banu (Bāṇu, बानू) and Banu-bai (Bāṇu-bāī, बानू-बाई), is a Hindu goddess and the second wife of Khandoba, a form of the god Shiva worshipped in the Deccan – predominantly in the Indian states of Maharashtra and Karnataka. Khandoba is portrayed as a king of Jejuri, where his chief temple stands. Some traditions do not give her the status of a legal wife and treat her as a concubine of Khandoba.

    While scriptures related to Khandoba do not mention Banai, she is a central subject of folk songs. Banai is considered a Dhangar, a sheep herding caste, and is sometimes regarded to be of celestial origin. Oral traditions chiefly discuss the tale of her marriage to Khandoba and her conflicts with his first wife Mhalsa. Banai is an antithesis of Mhalsa; together they complete the god. Banai is generally depicted with Khandoba and often is also accompanied by Mhalsa. (Full article...)
  • Image 19 Abu'l Hasan, Emperor Jahangir at the jharoka window of the Agra Fort, c. 1620, Aga Khan Museum Jharokha Darshan (Persian: جهروکه درشن) (Hindi: झरोखा दर्शन) was a daily practice of addressing the public audience (darshan) at the balcony (jharokha) at the forts and palaces of medieval kings in India. It was an essential and direct way of communicating face-to-face with the public, and was a practice which was adopted by the Mughal emperors. The balcony appearance in the name of Jharokha Darshan also spelled jharokha-i darshan was adopted by the 16th-century Mughal Emperor Akbar, even though it was contrary to Islamic injunctions. Earlier, Akbar's father Emperor Humayun had also adopted this Hindu practice of appearing before his subjects at the jharokha to hear their public grievances. Darshan is a Sanskrit word which means "sight" and "beholding" (also means: "the viewing of an idol or a saint") which was adopted by Mughals for their daily appearance before their subjects. This also showed a Hindu influence, It was first practiced by Humayun before Akbar adopted it as a practice at sunrise. Jharokha is an easterly facing "ornate bay-window", canopied, throne-balcony, the "balcony for viewing" (an oriel window projecting out of the wall) provided in every palace or fort where the kings or emperors resided during their reign. Its architecture served not only the basic need for lighting and ventilation but also attained a divine concept during the reign of Mughals. The jharokha appearances by the Mughals have been depicted by many paintings. (Full article...)
    Abu'l Hasan, Emperor Jahangir at the jharoka window of the Agra Fort, c. 1620, Aga Khan Museum

    Jharokha Darshan (Persian: جهروکه درشن) (Hindi: झरोखा दर्शन) was a daily practice of addressing the public audience (darshan) at the balcony (jharokha) at the forts and palaces of medieval kings in India. It was an essential and direct way of communicating face-to-face with the public, and was a practice which was adopted by the Mughal emperors. The balcony appearance in the name of Jharokha Darshan also spelled jharokha-i darshan was adopted by the 16th-century Mughal Emperor Akbar, even though it was contrary to Islamic injunctions. Earlier, Akbar's father Emperor Humayun had also adopted this Hindu practice of appearing before his subjects at the jharokha to hear their public grievances.

    Darshan is a Sanskrit word which means "sight" and "beholding" (also means: "the viewing of an idol or a saint") which was adopted by Mughals for their daily appearance before their subjects. This also showed a Hindu influence, It was first practiced by Humayun before Akbar adopted it as a practice at sunrise. Jharokha is an easterly facing "ornate bay-window", canopied, throne-balcony, the "balcony for viewing" (an oriel window projecting out of the wall) provided in every palace or fort where the kings or emperors resided during their reign. Its architecture served not only the basic need for lighting and ventilation but also attained a divine concept during the reign of Mughals. The jharokha appearances by the Mughals have been depicted by many paintings. (Full article...)
  • Image 20 An Indian rhinoceros in Kaziranga National Park The Indian rhinoceros (Rhinoceros unicornis), also known as the greater one-horned rhinoceros, great Indian rhinoceros or Indian rhino, is a species of rhinoceros found in the Indian subcontinent. It is the second largest living rhinoceros species, with adult males weighing 2.07–2.2 t (2.04–2.17 long tons; 2.28–2.43 short tons) and adult females 1.6 t (1.6 long tons; 1.8 short tons). Its thick skin is grey-brown with pinkish skin folds. It has a single horn on its snout that grows up to 57.2 cm (22.5 in) long. Its upper legs and shoulders are covered in wart-like bumps, and it is nearly hairless aside from the eyelashes, ear fringes and tail brush. The Indian rhinoceros is native to the Indo-Gangetic Plain and occurs in 12 protected areas in northern India and southern Nepal. It is a grazer, eating mainly grass, but also twigs, leaves, branches, shrubs, flowers, fruits and aquatic plants. It is a largely solitary animal, only associating in the breeding season and when rearing calves. Females give birth to a single calf after a gestation of 15.7 months. The birth interval is 34–51 months. Captive individuals can live up to 47 years. It is susceptible to diseases such as anthrax, and those caused by parasites such as leeches, ticks and nematodes. (Full article...)

    An Indian rhinoceros in Kaziranga National Park

    The Indian rhinoceros (Rhinoceros unicornis), also known as the greater one-horned rhinoceros, great Indian rhinoceros or Indian rhino, is a species of rhinoceros found in the Indian subcontinent. It is the second largest living rhinoceros species, with adult males weighing 2.07–2.2 t (2.04–2.17 long tons; 2.28–2.43 short tons) and adult females 1.6 t (1.6 long tons; 1.8 short tons). Its thick skin is grey-brown with pinkish skin folds. It has a single horn on its snout that grows up to 57.2 cm (22.5 in) long. Its upper legs and shoulders are covered in wart-like bumps, and it is nearly hairless aside from the eyelashes, ear fringes and tail brush.

    The Indian rhinoceros is native to the Indo-Gangetic Plain and occurs in 12 protected areas in northern India and southern Nepal. It is a grazer, eating mainly grass, but also twigs, leaves, branches, shrubs, flowers, fruits and aquatic plants. It is a largely solitary animal, only associating in the breeding season and when rearing calves. Females give birth to a single calf after a gestation of 15.7 months. The birth interval is 34–51 months. Captive individuals can live up to 47 years. It is susceptible to diseases such as anthrax, and those caused by parasites such as leeches, ticks and nematodes. (Full article...)
  • Image 21 Chariot of Murugan during Thaipusam festivities in Malaysia Thaipusam or Thaipoosam (Tamil: Taippūcam, IPA: [t̪əjppuːsəm]) is a Tamil Hindu festival celebrated on the first full moon day of the Tamil month of Thai coinciding with Pusam star. The festival signifies that Lord Murugan is a Siddha and an enlightened being. On this auspicious day, he transcended from his physical form, a concept known as Mukthi in Hinduism. He dedicated his life to serving humanity and left behind a wealth of wisdom for society. The festival includes ritualistic practices of Kavadi Aattam, a ceremonial act of sacrifice carrying a physical burden as a means of balancing a spiritual debt. Worshipers often carry a pot of cow milk as an offering and also do mortification of the flesh by piercing the skin, tongue or cheeks with vel skewers. Devotees prepare for the rituals by keeping clean, doing regular prayers, following a vegetarian diet and fasting while remaining celibate. (Full article...)

    Chariot of Murugan during Thaipusam festivities in Malaysia

    Thaipusam or Thaipoosam (Tamil: Taippūcam, IPA: [t̪əjppuːsəm]) is a Tamil Hindu festival celebrated on the first full moon day of the Tamil month of Thai coinciding with Pusam star. The festival signifies that Lord Murugan is a Siddha and an enlightened being. On this auspicious day, he transcended from his physical form, a concept known as Mukthi in Hinduism. He dedicated his life to serving humanity and left behind a wealth of wisdom for society.

    The festival includes ritualistic practices of Kavadi Aattam, a ceremonial act of sacrifice carrying a physical burden as a means of balancing a spiritual debt. Worshipers often carry a pot of cow milk as an offering and also do mortification of the flesh by piercing the skin, tongue or cheeks with vel skewers. Devotees prepare for the rituals by keeping clean, doing regular prayers, following a vegetarian diet and fasting while remaining celibate. (Full article...)
  • Image 22 The Indian Institute of Management Lucknow (abbreviated IIM-Lucknow or IIML) is a public business school in Lucknow, Uttar Pradesh, India. It was established in 1984 as the fourth Indian Institute of Management (IIM) by the Government of India. IIM Lucknow offers post-graduate diploma, fellowship and executive programs in management. It is recognised as an "Institution of Excellence" by India's Ministry of Human Resource Development. IIM Lucknow serves as the mentor institution for the newly established IIM Jammu, IIM Rohtak and IIM Kashipur. It also served as a mentor institute to IIM Sirmaur till 2018. The institute is on a 200-acre site in the northern outskirts of Lucknow. It also has a second campus on a 20-acre site at Noida exclusively for one year full-time MBA program (IPMX), Two-year PGP in Sustainable Management and Two-year PGP for working executive and executive education. The admission for the two-year PGP and fellowship programmes is done through Common Admission Test (CAT), while GMAT score is used for International Programme in Management for Executives, a one-year full-time residential programme equivalent to an MBA program, while admission to the Two-year PGP for working executive program is done based on GMAT score or a competitive written examination conducted by IIM Lucknow. The shortlisted candidates based on GMAT or the written examination go through the Writing Ability Test and Personal Interview (WAT & PI) to get final selection. The programs are accredited by the global accreditation body AMBA, EQUIS and AACSB. The institute, therefore, has a triple crown accreditation. The institute has tie-ups with 24 leading B-schools across the world for student exchange. A number of b-competitions, cultural and sports events are organised by various clubs, academic interest groups and committees throughout the year. (Full article...)
    The Indian Institute of Management Lucknow (abbreviated IIM-Lucknow or IIML) is a public business school in Lucknow, Uttar Pradesh, India. It was established in 1984 as the fourth Indian Institute of Management (IIM) by the Government of India. IIM Lucknow offers post-graduate diploma, fellowship and executive programs in management. It is recognised as an "Institution of Excellence" by India's Ministry of Human Resource Development. IIM Lucknow serves as the mentor institution for the newly established IIM Jammu, IIM Rohtak and IIM Kashipur. It also served as a mentor institute to IIM Sirmaur till 2018.

    The institute is on a 200-acre site in the northern outskirts of Lucknow. It also has a second campus on a 20-acre site at Noida exclusively for one year full-time MBA program (IPMX), Two-year PGP in Sustainable Management and Two-year PGP for working executive and executive education. The admission for the two-year PGP and fellowship programmes is done through Common Admission Test (CAT), while GMAT score is used for International Programme in Management for Executives, a one-year full-time residential programme equivalent to an MBA program, while admission to the Two-year PGP for working executive program is done based on GMAT score or a competitive written examination conducted by IIM Lucknow. The shortlisted candidates based on GMAT or the written examination go through the Writing Ability Test and Personal Interview (WAT & PI) to get final selection. The programs are accredited by the global accreditation body AMBA, EQUIS and AACSB. The institute, therefore, has a triple crown accreditation. The institute has tie-ups with 24 leading B-schools across the world for student exchange. A number of b-competitions, cultural and sports events are organised by various clubs, academic interest groups and committees throughout the year. (Full article...)
  • Image 23 Subedar Joginder Singh Sahnan, PVC (26 September 1921 – 23 October 1962), was an Indian soldier and posthumous recipient of India's highest military award, the Param Vir Chakra. Singh joined the British Indian Army in 1936 and served in the 1st battalion of the Sikh Regiment. During the 1962 Sino-Indian War, he was commanding a platoon at the Bum La Pass in the North-East Frontier Agency. Though heavily outnumbered, he bravely led his troops against a Chinese assault and defended his post until he was wounded and captured. Singh died from his injuries while in Chinese custody. He single-handedly killed more than 50 Chinese soldiers, and became a war hero within the Indian Armed Forces. (Full article...)
    Subedar Joginder Singh Sahnan, PVC (26 September 1921 – 23 October 1962), was an Indian soldier and posthumous recipient of India's highest military award, the Param Vir Chakra. Singh joined the British Indian Army in 1936 and served in the 1st battalion of the Sikh Regiment. During the 1962 Sino-Indian War, he was commanding a platoon at the Bum La Pass in the North-East Frontier Agency. Though heavily outnumbered, he bravely led his troops against a Chinese assault and defended his post until he was wounded and captured. Singh died from his injuries while in Chinese custody. He single-handedly killed more than 50 Chinese soldiers, and became a war hero within the Indian Armed Forces. (Full article...)
  • Image 24 Ebrahim in 2010 Ebrahim Ismail Ebrahim OLG (1 July 1937 – 6 December 2021) was a South African anti-apartheid activist of Indian origin who was a member of the African National Congress's armed wing uMkhonto we Sizwe. He was tried in the Pietermaritzburg sabotage trials of 1963 and was sentenced to a 15-year imprisonment at the Robben Island Maximum Security Prison. Popularly known as Ebie, he served as a lawmaker in the first democratically elected government of South Africa in 1994 and also served as the country's deputy minister for international relations between 2009 and 2014. (Full article...)

    Ebrahim in 2010

    Ebrahim Ismail Ebrahim OLG (1 July 1937 – 6 December 2021) was a South African anti-apartheid activist of Indian origin who was a member of the African National Congress's armed wing uMkhonto we Sizwe. He was tried in the Pietermaritzburg sabotage trials of 1963 and was sentenced to a 15-year imprisonment at the Robben Island Maximum Security Prison.

    Popularly known as Ebie, he served as a lawmaker in the first democratically elected government of South Africa in 1994 and also served as the country's deputy minister for international relations between 2009 and 2014. (Full article...)
  • Image 25 Mohanlal in 2015 Mohanlal Viswanathan (IPA: [moːhɐnlaːl ʋiʃʋʷɐn̪aːt̪ʰɐn]; born 21 May 1960), known mononymously as Mohanlal, is an Indian actor, film producer, film distributor, and director who predominantly works in Malayalam film industry besides also having sporadically appeared in Tamil, Hindi, Telugu and Kannada films. Mohanlal has a prolific career spanning over four decades, during which he has acted in more than 400 films. The Government of India honoured him with Padma Shri in 2001, and Padma Bhushan in 2019, India's fourth and third highest civilian honours, for his contributions to Indian cinema. In 2009, he became the first actor in India to be awarded the honorary rank of lieutenant colonel in the Territorial Army. Mohanlal was named as one of "the men who changed the face of the Indian Cinema" by CNN. Mohanlal made his acting debut at age 18 in the Malayalam film Thiranottam in 1978, but the film was delayed in its release for 25 years due to censorship issues. His screen debut was in the 1980 romance film Manjil Virinja Pookkal, in which he played the antagonist. He continued to do villainous roles and rose to secondary lead roles in the following years. By the mid-1980s, he established himself as a bankable leading actor and attained stardom after starring in several successful films in 1986; the crime drama Rajavinte Makan released that year heightened his stardom. Mohanlal prefers to work in Malayalam films, but he has also appeared in some of Hindi, Tamil, Telugu and Kannada films. Some of his best known non-Malayalam films include the Tamil political drama Iruvar (1997), the Hindi crime drama Company (2002) and the Telugu film Janatha Garage (2016). (Full article...)

    Mohanlal in 2015

    Mohanlal Viswanathan (IPA: [moːhɐnlaːl ʋiʃʋʷɐn̪aːt̪ʰɐn]; born 21 May 1960), known mononymously as Mohanlal, is an Indian actor, film producer, film distributor, and director who predominantly works in Malayalam film industry besides also having sporadically appeared in Tamil, Hindi, Telugu and Kannada films. Mohanlal has a prolific career spanning over four decades, during which he has acted in more than 400 films. The Government of India honoured him with Padma Shri in 2001, and Padma Bhushan in 2019, India's fourth and third highest civilian honours, for his contributions to Indian cinema. In 2009, he became the first actor in India to be awarded the honorary rank of lieutenant colonel in the Territorial Army. Mohanlal was named as one of "the men who changed the face of the Indian Cinema" by CNN.

    Mohanlal made his acting debut at age 18 in the Malayalam film Thiranottam in 1978, but the film was delayed in its release for 25 years due to censorship issues. His screen debut was in the 1980 romance film Manjil Virinja Pookkal, in which he played the antagonist. He continued to do villainous roles and rose to secondary lead roles in the following years. By the mid-1980s, he established himself as a bankable leading actor and attained stardom after starring in several successful films in 1986; the crime drama Rajavinte Makan released that year heightened his stardom. Mohanlal prefers to work in Malayalam films, but he has also appeared in some of Hindi, Tamil, Telugu and Kannada films. Some of his best known non-Malayalam films include the Tamil political drama Iruvar (1997), the Hindi crime drama Company (2002) and the Telugu film Janatha Garage (2016). (Full article...)
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Timeline of Indian history, Indus Valley Civilisation, Dholavira, Science and technology in ancient India, Meluhha, Aryan invasion theory, Out of India theory, Greek conquests in India, Indian maritime history, Maurya Empire, Ashoka, Shunga Empire, Hoysala Empire, Vijayanagara, Satavahana dynasty, Indo-Greek Kingdom, Indo-Scythians, Indo-Parthian Kingdom, Kushan Empire, Western Satraps, Gupta Empire, Chola dynasty, Pala Empire, Islamic incursions in India, Mughal Empire, Maratha Empire, British Raj, East India Company, Governor-General, Viceroy, War of Independence, 1857, Indian independence movement, Indian National Army, Azad Hind, Quit India Movement, Partition of India, History of Republic of India, Non-Aligned Movement, Sino-Indian War, Indo-Pakistani War of 1947–1948, Indo-Pakistani War of 1965, Indo-Pakistani War of 1971, Kargil War, 2001–02 India–Pakistan standoff, Military, Demographic

Law, Hindu law, Constitution, Political parties (Indian National Congress, Bharatiya Janata Party), Foreign relations, Elections, Political divisions, Reservation in India

Government agencies, Legislative branch (Lok Sabha, Rajya Sabha) Executive branch (President & Vice President, Prime Minister & Deputy Prime Minister, Cabinet Ministers, Cabinet Secretary, Election Commission, Foreign Minister; Law enforcement: CBI, CID, Intelligence: IB, RAW), Directorate General of Income Tax Investigation Judicial branch (Supreme Court), Armed Forces (Army, Navy, Air Force, Border Security Force, Coast Guard)

Himalayas, Western Ghats, Eastern Ghats, Indo-Gangetic Plain, Deccan Plateau, Thar Desert, Ganges, Rann of Kutch, Brahmaputra River, Northeast India; Mountains, Valleys, Islands, Rivers; States and union territories, Cities, Districts, Regions, Fauna, Flora

Rupee, Bombay Stock Exchange, National Stock Exchange, Standard of living, Companies, Reserve Bank of India, Energy policy (Solar, Wind, Nuclear), Tourism, Transport (Expressways, Rail transport, Auto rickshaw),

Languages, Standard of living, Religion

Music (Carnatic, Hindustani, Indi-pop), Dance, Languages, Literature, Architecture, Film & TV, Cuisine, Holidays, Folklore, Education, Media, Indian martial arts

Indian Council of Agricultural Research (ICAR), Indian Institute of Astrophysics, National Centre for Software Technology, AIIMS, IISc, IIT, NIT, BITS-Pilani, INRegistry, Indian numbering system, Indian Space Research Organisation, National Internet Exchange of India, ICRISAT, International Institute of Information Technology, Hyderabad

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Indian English, Indian nationality law, Numbering system, Indian Space Research Organisation, Telecommunications, National Highways Development Project, Flag, Vehicle registration plates, Indian nationalism, Metrication in India

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